Friday, December 17, 2010
encaustic... a process explained
encaustic is basically using hot bees wax to cover a foundation. what i did in judy's class was learn the basic technique and then some different techniques to add or embellish. we started with a board. you could use a stretched canvas, some people have put encaustic into their journals. once you have chosen your base, you can choose to paint it or not. i used acrylics to paint my backgrounds, then i did a collage with photos i have taken, glueing them down securely. then i put on the first layer of hot 160* wax. after the wax sets, you can use a blow torch or a heat gun to set the wax. it melts a little and rids the surface of brush marks. its a technique that needs practice to not get the wax too hot and to be certain to cover the entire area. then you can do a number of techniques, by scratching the surface or intaglio, then adding another layer of wax and heat setting it again. or a stencil, gold leaf, shellac, adding a tissue image, or burnishing a reverse transfer . there are so many techniques and combinations... but each time you add wax you must heat set it again. another process is painting with hot wax... you can use pure pigments or oil paints or pre-colored wax blocks to color the wax... the trick is to take small brush strokes since you can only paint while the wax remains hot. after every little bit you should stop and heat set it. this is the exercise i found to be the most difficult. if you go to judy"s website http://judywise.blogspot.com/ to the dec 13 post... the heads that are shown were done with hot wax... we were told to turn our sample upside down and copy it that way. i am not good at drawing and this method seems to make it possible to achieve some what of a likeness. i'm sorry i didn't explain the process in the beginning. it really has nothing to do with stitch ... i just have to do something different once in awhile to soothe my gemini nature.
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8 comments:
nance...thank you for all this
work...all the writing. i
realized that i kept trying,
unconsciously, or sub
to tie this work with cloth!!
how crazy!!
once i realized that, everything
made sense!
well... i too had wondered if it could combine with cloth somehow... but it would stabilize the cloth to such a degree that it would lose its cloth-ness. i will use it mostly for collage of my photographs.
Lissa Rankin has a book out that shows many encaustics using cloth as a base. You can get a lots of ideas just by looking at the "look inside" feature on Amazon.
(Nancy, I miss your sweet energy!) xo
judy... that was quite helpful. lots of basic information. definitely not as juicy as listening to you though... anytime you want a play date, i'm in!!!
i'm really enjoying reading this.
i've read it a few times already. this is great.
Good to try something different now and again. I like your work from this workshop. Sounds like a lot of work. But worth it.
xt
hi t! thanks for coming by.. glad you liked my new work... it was so much fun... the memory of the wax and the colors has kept me going ever since. all i have to do to relax is think of that workshop and take a deep breath. i'm thinking i need to find a corner that will accommodate an old electric frying pan and griddle. its a bit messy and smelly so i can't do it in my sewing and art room.
karen, help?! i couldn't find a way to comment on your blog... can only read the comments.
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